Love and Roses

Bouquet of Roses in a Vase  Pierre Augusta Renior

O My Luve's Like a Red, Red Rose

by Robert Burns

O my Luve's like a red, red rose

That’s newly sprung in June;

O my Luve's like the melodie

That’s sweetly play'd in tune.

As fair art thou, my bonnie lass,

So deep in luve am I:

And I will luve thee still, my dear,

Till a’ the seas gang dry:

Till a’ the seas gang dry, my dear,

And the rocks melt wi’ the sun:

I will luve thee still, my dear,

While the sands o’ life shall run.

And fare thee weel, my only Luve

And fare thee weel, a while!

And I will come again, my Luve,

Tho’ it were ten thousand mile.

All the World's a Stage

detail from Queen Elizabeth at the Globe  David Scott

The Theatre Cat

by T. S. Eliot

Gus is the Cat at the Theatre Door.
His name, as I ought to have told you before,
Is really Asparagus. That's such a fuss
To pronounce, that we usually call him just Gus.
His coat's very shabby, he's thin as a rake,
And he suffers from palsy that makes his paw shake.
Yet he was, in his youth, quite the smartest of Cats--
But no longer a terror to mice and to rats.
For he isn't the Cat that he was in his prime;
Though his name was quite famous, he says, in its time.
And whenever he joins his friends at their club
(Which takes place at the back of the neighbouring pub)
He loves to regale them, if someone else pays,
With anecdotes drawn from his palmiest days.
For he once was a Star of the highest degree--
He has acted with Irving, he's acted with Tree.
And he likes to relate his success on the Halls,
Where the Gallery once gave him seven cat-calls.
But his grandest creation, as he loves to tell,
Was Firefrorefiddle, the Fiend of the Fell.

"I have played," so he says, "every possible part,
And I used to know seventy speeches by heart.
I'd extemporize back-chat, I knew how to gag,
And I knew how to let the cat out of the bag.
I knew how to act with my back and my tail;
With an hour of rehearsal, I never could fail.
I'd a voice that would soften the hardest of hearts,
Whether I took the lead, or in character parts.
I have sat by the bedside of poor Little Nell;
When the Curfew was rung, then I swung on the bell.
In the Pantomime season I never fell flat,
And I once understudied Dick Whittington's Cat.
But my grandest creation, as history will tell,
Was Firefrorefiddle, the Fiend of the Fell."

Then, if someone will give him a toothful of gin,
He will tell how he once played a part in East Lynne.
At a Shakespeare performance he once walked on pat,
When some actor suggested the need for a cat.
He once played a Tiger--could do it again--
Which an Indian Colonel purused down a drain.
And he thinks that he still can, much better than most,
Produce blood-curdling noises to bring on the Ghost.
And he once crossed the stage on a telegraph wire,
To rescue a child when a house was on fire.
And he says: "Now then kittens, they do not get trained
As we did in the days when Victoria reigned.
They never get drilled in a regular troupe,
And they think they are smart, just to jump through a hoop."
And he'll say, as he scratches himself with his claws,
"Well, the Theatre's certainly not what it was.
These modern productions are all very well,
But there's nothing to equal, from what I hear tell,
That moment of mystery
When I made history
As Firefrorefiddle, the Fiend of the Fell."

A Wee Bit o' Scotland in the Winter

A Flock of Sheep in a Snowstorm  Joseph Farquharson

A Winter Night

by Robert Burns

When biting Boreas, fell and doure,

Sharp shivers thro' the leafless bow'r;

When Phoebus gies a short-liv'd glow'r,

Far south the lift,

Dim-dark'ning thro' the flaky show'r,

Or whirling drift:

Ae night the storm the steeples rocked,

Poor Labour sweet in sleep was locked,

While burns, wi' snawy wreeths upchoked,

Wild-eddying swirl,

Or thro' the mining outlet bocked,

Down headlong hurl.

List'ning, the doors an' winnocks rattle,

I thought me on the ourie cattle,

Or silly sheep, wha bide this brattle

O' winter war,

And thro' the drift, deep-lairing, sprattle,

Beneath a scar.

Ilk happing bird, wee, helpless thing!

That, in the merry months o' spring,

Delighted me to hear thee sing,

What comes o' thee?

Whare wilt thou cow'r thy chittering wing

An' close thy e'e?

Ev'n you on murd'ring errands toil'd,

Lone from your savage homes exil'd,

The blood-stain'd roost, and sheep-cote spoil'd

My heart forgets,

While pityless the tempest wild

Sore on you beats.

Antiquity's Disquietude

Approach of the Simoon, Desert of Gizeh  David Roberts

Ozymandias
                by Percy Bysshe Shelley
I met a traveller from an antique land
Who said: "Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shattered visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
`My name is Ozymandias, King of Kings:
Look on my works, ye mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away".